Indigenous cultural elements from remote locations Brus visited, throughout his life, also find a place in his art. Some significant non-European iconographies identified with his style include animal figures, such as horses, ibis, elephants, rhinoceros, etc. The figures can be considered attempts at depicting these remote ethnic identities and cultures, which circulate intercultural networks, through the artist’s references to archaic myths and ancient belief systems. For example, Brus’s deer and humans with antlers remind us of shamanic legends. The striking visual codes in such works become representations of cultural phenomena and reinforce our understanding of the historical roots of these creatures. Symbolic representations amplify our perception and understanding of animals. The diversification and concentration of cultures spawns new social structures. Besides interaction between societies, animals play a leading role in demonstrating the imbalances in the power struggle between humans and nature. Brus reminds us of animal depictions in art history and encourages us to think collectively about the human past and present. In other words, Brus’s animal world seeks to reveal the diverse characteristics of the human condition, together with the cultural currents unique to our day.