REFLECTIONS

MEET THE ARTIST

Cold tile-clad walls, figures reflected in water and a warning sign spelt out using a formidable typography: ‘No diving!’ The symmetry and balance in Mária Švarbová’s photographic series is simply captivating.

PHOTOGRAPHY BY MÁRIA ŠVARBOVÁ TEXT BY MEHMET VEFA

What remains in a swimming pool when the swimmers leave? Slovakian artist Mária Švarbová’s images must be some of the most provocative of those dealing with the nature of the relationship between humans and the space around them.

The atmosphere, defined by pastel colours, invites the viewer to an immaculate, hygienic and chlorine-scented setting. In each scene, inert figures soon start to resemble statues. It is as if time has stopped and, instead of the swimmers themselves, it will be their reflections on the smooth surface of the pool that come to life. Švarbová blends a comic book-like spirit to the sterile and geometric aesthetics typical of swimming pools. A considerable amount of preparation goes into each composition. The diversity of feelings that is communicated to the viewer with these empty, sterile pools is another of Švarbová's achievements. At first sight, one may feel cold, looking at the photograph of an empty pool. However, the mellow atmosphere of her colourful images is heart-warming, despite the lifelessness and indifference of the models. Švarbová’s series Swimming Pool (ongoing

REFLECTIONS

MEET THE ARTIST

Cold tile-clad walls, figures reflected in water and a warning sign spelt out using a formidable typography: ‘No diving!’ The symmetry and balance in Mária Švarbová’s photographic series is simply captivating.

PHOTOGRAPHY BY MÁRIA ŠVARBOVÁ TEXT BY MEHMET VEFA

What remains in a swimming pool when the swimmers leave? Slovakian artist Mária Švarbová’s images must be some of the most provocative of those dealing with the nature of the relationship between humans and the space around them.

The atmosphere, defined by pastel colours, invites the viewer to an immaculate, hygienic and chlorine-scented setting. In each scene, inert figures soon start to resemble statues. It is as if time has stopped and, instead of the swimmers themselves, it will be their reflections on the smooth surface of the pool that come to life. Švarbová blends a comic book-like spirit to the sterile and geometric aesthetics typical of swimming pools. A considerable amount of preparation goes into each composition. The diversity of feelings that is communicated to the viewer with these empty, sterile pools is another of Švarbová's achievements. At first sight, one may feel cold, looking at the photograph of an empty pool. However, the mellow atmosphere of her colourful images is heart-warming, despite the lifelessness and indifference of the models. Švarbová’s series Swimming Pool (ongoing

REFLECTIONS

MEET THE ARTIST

Cold tile-clad walls, figures reflected in water and a warning sign spelt out using a formidable typography: ‘No diving!’ The symmetry and balance in Mária Švarbová’s photographic series is simply captivating.

PHOTOGRAPHY BY MÁRIA ŠVARBOVÁ TEXT BY MEHMET VEFA

What remains in a swimming pool when the swimmers leave? Slovakian artist Mária Švarbová’s images must be some of the most provocative of those dealing with the nature of the relationship between humans and the space around them.

The atmosphere, defined by pastel colours, invites the viewer to an immaculate, hygienic and chlorine-scented setting. In each scene, inert figures soon start to resemble statues. It is as if time has stopped and, instead of the swimmers themselves, it will be their reflections on the smooth surface of the pool that come to life. Švarbová blends a comic book-like spirit to the sterile and geometric aesthetics typical of swimming pools. A considerable amount of preparation goes into each composition. The diversity of feelings that is communicated to the viewer with these empty, sterile pools is another of Švarbová's achievements. At first sight, one may feel cold, looking at the photograph of an empty pool. However, the mellow atmosphere of her colourful images is heart-warming, despite the lifelessness and indifference of the models. Švarbová’s series Swimming Pool (ongoing

CURA

18

OUT NOW

is a large format international biannual magazine from Istanbul. Focusing on arts, culture and society, each issue tackles various universal subjects within a distinct theme.

Address

Karaköy Tarihi Un Değirmeni Binası, Kemankeş Mahallesi, Ali Paşa Değirmen Sokak 16, 34425, Karaköy Istanbul, Turkey

+90 212 232 4288

contact@212magazine.com

CURA

18

OUT NOW

is a large format international biannual magazine from Istanbul. Focusing on arts, culture and society, each issue tackles various universal subjects within a distinct theme.

Address

Karaköy Tarihi Un Değirmeni Binası, Kemankeş Mahallesi, Ali Paşa Değirmen Sokak 16, 34425, Karaköy Istanbul, Turkey

+90 212 232 4288

contact@212magazine.com

CURA

18

OUT NOW

is a large format international biannual magazine from Istanbul. Focusing on arts, culture and society, each issue tackles various universal subjects within a distinct theme.

Address

Karaköy Tarihi Un Değirmeni Binası, Kemankeş Mahallesi, Ali Paşa Değirmen Sokak 16, 34425, Karaköy Istanbul, Turkey

+90 212 232 4288

contact@212magazine.com