
Nadia Lee Cohen blurs the line between glamour and ruin, staging charged images where excess collides with intimacy. Cohen’s practice lives inside popular culture, weaving cinema, advertising, music, and mythology into a distinctive visual language.

Nadia Lee Cohen blurs the line between glamour and ruin, staging charged images where excess collides with intimacy. Cohen’s practice lives inside popular culture, weaving cinema, advertising, music, and mythology into a distinctive visual language.
Nadia Lee Cohen blurs the line between glamour and ruin, staging charged images where excess collides with intimacy. Cohen’s practice lives inside popular culture, weaving cinema, advertising, music, and mythology into a distinctive visual language.



Nadia Lee Cohen blurs the line between glamour and ruin, staging charged images where excess collides with intimacy. Cohen’s practice lives inside popular culture, weaving cinema, advertising, music, and mythology into a distinctive visual language.

Nadia Lee Cohen blurs the line between glamour and ruin, staging charged images where excess collides with intimacy. Cohen’s practice lives inside popular culture, weaving cinema, advertising, music, and mythology into a distinctive visual language.
Nadia Lee Cohen blurs the line between glamour and ruin, staging charged images where excess collides with intimacy. Cohen’s practice lives inside popular culture, weaving cinema, advertising, music, and mythology into a distinctive visual language.



Nadia Lee Cohen blurs the line between glamour and ruin, staging charged images where excess collides with intimacy. Cohen’s practice lives inside popular culture, weaving cinema, advertising, music, and mythology into a distinctive visual language.

Nadia Lee Cohen blurs the line between glamour and ruin, staging charged images where excess collides with intimacy. Cohen’s practice lives inside popular culture, weaving cinema, advertising, music, and mythology into a distinctive visual language.
Nadia Lee Cohen blurs the line between glamour and ruin, staging charged images where excess collides with intimacy. Cohen’s practice lives inside popular culture, weaving cinema, advertising, music, and mythology into a distinctive visual language.

NEW ISSUE #
20

PHANTASMATA
The Autumn/Winter 2025 issue is out.

Jan Pypers’ series ‘Diorama’ journeys, from landscapes framed behind glass, to the polished images of today — inviting the viewer into the very heart of illusion.

MEET THE ARTIST
JAN PYPERS
AT THE EDGE OF ILLUSION
Jan Pypers’ series ‘Diorama’ journeys, from landscapes framed behind glass, to the polished images of today — inviting the viewer into the very heart of illusion.
MEET THE ARTIST
JAN PYPERS
AT THE EDGE OF ILLUSION
Jan Pypers’ series ‘Diorama’ journeys, from landscapes framed behind glass, to the polished images of today — inviting the viewer into the very heart of illusion.



Jan Pypers’ series ‘Diorama’ journeys, from landscapes framed behind glass, to the polished images of today — inviting the viewer into the very heart of illusion.

MEET THE ARTIST
JAN PYPERS
AT THE EDGE OF ILLUSION
Jan Pypers’ series ‘Diorama’ journeys, from landscapes framed behind glass, to the polished images of today — inviting the viewer into the very heart of illusion.
MEET THE ARTIST
JAN PYPERS
AT THE EDGE OF ILLUSION
Jan Pypers’ series ‘Diorama’ journeys, from landscapes framed behind glass, to the polished images of today — inviting the viewer into the very heart of illusion.


Beyond loss and grief, ‘Finally I Can Go’ shows how photography can serve as a powerful tool to remember and preserve memories.

MEET THE ARTIST
CINZIA LALISCIA
MEMORIA SILENTE
Beyond loss and grief, ‘Finally I Can Go’ shows how photography can serve as a powerful tool to remember and preserve memories.
MEET THE ARTIST
CINZIA LALISCIA
MEMORIA SILENTE
Beyond loss and grief, ‘Finally I Can Go’ shows how photography can serve as a powerful tool to remember and preserve memories.



Beyond loss and grief, ‘Finally I Can Go’ shows how photography can serve as a powerful tool to remember and preserve memories.

MEET THE ARTIST
CINZIA LALISCIA
MEMORIA SILENTE
Beyond loss and grief, ‘Finally I Can Go’ shows how photography can serve as a powerful tool to remember and preserve memories.
MEET THE ARTIST
CINZIA LALISCIA
MEMORIA SILENTE
Beyond loss and grief, ‘Finally I Can Go’ shows how photography can serve as a powerful tool to remember and preserve memories.


Marine Lanier’s journey – from the botanical garden at Lautaret Pass to the legend of ‘Hannibal’ – draws us into an epic dream, where living beings and light intertwine.

MEET THE ARTIST
MARINE LANIER
NATURE’S MICROSCOPE
Marine Lanier’s journey – from the botanical garden at Lautaret Pass to the legend of ‘Hannibal’ – draws us into an epic dream, where living beings and light intertwine.
MEET THE ARTIST
MARINE LANIER
NATURE’S MICROSCOPE
Marine Lanier’s journey – from the botanical garden at Lautaret Pass to the legend of ‘Hannibal’ – draws us into an epic dream, where living beings and light intertwine.



Marine Lanier’s journey – from the botanical garden at Lautaret Pass to the legend of ‘Hannibal’ – draws us into an epic dream, where living beings and light intertwine.

MEET THE ARTIST
MARINE LANIER
NATURE’S MICROSCOPE
Marine Lanier’s journey – from the botanical garden at Lautaret Pass to the legend of ‘Hannibal’ – draws us into an epic dream, where living beings and light intertwine.
MEET THE ARTIST
MARINE LANIER
NATURE’S MICROSCOPE
Marine Lanier’s journey – from the botanical garden at Lautaret Pass to the legend of ‘Hannibal’ – draws us into an epic dream, where living beings and light intertwine.


Guim Tió's paintings tell a tale, where remembering and forgetting can coexist, as if both are possible at once.

MEET THE ARTIST
GUIM TIÓ
ONCE UPON A MEMORY with
Guim Tió's paintings tell a tale, where remembering and forgetting can coexist, as if both are possible at once.
MEET THE ARTIST
GUIM TIÓ
ONCE UPON A MEMORY with
Guim Tió's paintings tell a tale, where remembering and forgetting can coexist, as if both are possible at once.



Guim Tió's paintings tell a tale, where remembering and forgetting can coexist, as if both are possible at once.

MEET THE ARTIST
GUIM TIÓ
ONCE UPON A MEMORY with
Guim Tió's paintings tell a tale, where remembering and forgetting can coexist, as if both are possible at once.
MEET THE ARTIST
GUIM TIÓ
ONCE UPON A MEMORY with
Guim Tió's paintings tell a tale, where remembering and forgetting can coexist, as if both are possible at once.


Simon Diebold's photographs inhabit the threshold spaces that define our contemporary moment: between digital and analogue, presence and absence, the individual and the collective.

MEET THE ARTIST
BETWEEN STATES
AFTER-IMAGES
Simon Diebold's photographs inhabit the threshold spaces that define our contemporary moment: between digital and analogue, presence and absence, the individual and the collective.
MEET THE ARTIST
BETWEEN STATES
AFTER-IMAGES
Simon Diebold's photographs inhabit the threshold spaces that define our contemporary moment: between digital and analogue, presence and absence, the individual and the collective.



Simon Diebold's photographs inhabit the threshold spaces that define our contemporary moment: between digital and analogue, presence and absence, the individual and the collective.

MEET THE ARTIST
BETWEEN STATES
AFTER-IMAGES
Simon Diebold's photographs inhabit the threshold spaces that define our contemporary moment: between digital and analogue, presence and absence, the individual and the collective.
MEET THE ARTIST
BETWEEN STATES
AFTER-IMAGES
Simon Diebold's photographs inhabit the threshold spaces that define our contemporary moment: between digital and analogue, presence and absence, the individual and the collective.


is a large format international biannual magazine from Istanbul. Focusing on arts, culture and society, each issue tackles various universal subjects within a distinct theme.
Address
Karaköy Tarihi Un Değirmeni Binası, Kemankeş Mahallesi, Ali Paşa Değirmen Sokak 16, 34425, Karaköy Istanbul, Turkey
+90 212 232 4288
contact@212magazine.com

is a large format international biannual magazine from Istanbul. Focusing on arts, culture and society, each issue tackles various universal subjects within a distinct theme.
Address
Karaköy Tarihi Un Değirmeni Binası, Kemankeş Mahallesi, Ali Paşa Değirmen Sokak 16, 34425, Karaköy Istanbul, Turkey
+90 212 232 4288
contact@212magazine.com

is a large format international biannual magazine from Istanbul. Focusing on arts, culture and society, each issue tackles various universal subjects within a distinct theme.
Address
Karaköy Tarihi Un Değirmeni Binası, Kemankeş Mahallesi, Ali Paşa Değirmen Sokak 16, 34425, Karaköy Istanbul, Turkey
+90 212 232 4288
contact@212magazine.com