Nadia Lee Cohen blurs the line between glamour and ruin, staging charged images where excess collides with intimacy. Cohen’s practice lives inside popular culture, weaving cinema, advertising, music, and mythology into a distinctive visual language.

Jan Pypers’ series ‘Diorama’ journeys, from landscapes framed behind glass, to the polished images of today — inviting the viewer into the very heart of illusion.

Beyond loss and grief, ‘Finally I Can Go’ shows how photography can serve as a powerful tool to remember and preserve memories.

Marine Lanier’s journey – from the botanical garden at Lautaret Pass to the legend of ‘Hannibal’ – draws us into an epic dream, where living beings and light intertwine.

Guim Tió's paintings tell a tale, where remembering and forgetting can coexist, as if both are possible at once.

Simon Diebold's photographs inhabit the threshold spaces that define our contemporary moment: between digital and analogue, presence and absence, the individual and the collective.